更新时间：2024-09-23 15:51

魔鬼的陷阱34由网友上传至JCV影院，魔鬼的陷阱是一部剧情高开低走的剧情片，但很多网友看了魔鬼的陷阱34后，也有认为34魔鬼的陷阱是一部不错的剧情片，魔鬼的陷阱34有Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan 主演，魔鬼的陷阱34剧情讲述了<p>InthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantišekVlá?il,basedonanovelbyAlfrédTechnik,adaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.</p>